Netflix Shines Spotlight on Egyptian Youssef Chahine’s Filmography

Egyptian director Youssef Chahine is in the spotlight this month on Netflix after streaming platform added 4 of his films to its online catalog.

 With a career spanning 58 years and over 40 films, Youssef Chahine is one of the most prolific and relevant film directors of the MENA region.

Named “the pioneer of social realism” in Egyptian cinema, his unique style and bold choices brought him international acclaim and paved the way for new generations of filmmakers in the region.

Youssef Chahine in short

Youssef Chahine was born in Alexandria in 1926. At the age of 21, he left Egypt to study cinema in Los Angeles. Armed with talent and a critical eye, he came back to Egypt to capture some of the most beautiful places of Alexandria, a city that is so vividly present in his filmography.

In his movies, Chahine tackled sensitive subjects, even if it meant facing censorship, exile, and lawsuits.

He won the Cannes Festival’s 50th Anniversary Prize for lifetime achievement in 1997. Ten years later, he won a second-lifetime achievement award at the Dubai international film festival. He died in 2008 at the age of 82.

This month, Netflix introduces Youssef Chahine filmography to its millions of viewers worldwide.  The platform selected four of Chahine’s major productions.

From award-winning movies and banned films, the Netflix selection highlights the cinematic genius of Chahine and proves why he is still one of the most relevant Arab film directors to date.

Alexandria, Why? (1978)

Winner of the 1979 prestigious Silver Bear award at the Berlinale, Alexandria, Why? is the first of a semi-autobiographical trilogy and is one of Youssef Chahine’s most popular films.

Set against the backdrop of Alexandria during World War II, the film centers around a young man who dreams of becoming an actor. In his journey, the protagonist is faced with many dramatic hurdles. Hilarious at times, the movie also delivers a subtle anti-war message.

Alexandria, Why? marked a clear break fromChahine’s earlier 1950s musicals and melodramas.

Alexandria Again and Forever (1990)

In the third film of his semi-autobiographical trilogy, Chahine steps in as an actor to play Yehia, a filmmaker who joins a strike protesting inequalities in the film industry.

Yehia is a recurring character whose life is chronicled in “Alexandria, Why?” and “An Egyptian Story,” the first two films of the trilogy.

Set in 1987, the film takes a hard look at the transformations happening in the Egyptian film industry, and the influence of money on creativity.  It is also memorable for the dazzling tap dance duet between the main characters Amr and Yehia.

The Blazing Sun (1954)

The Blazing Sun saw the debut of Egyptian film icon Omar Sharif and his on-screen-off-screen love story with Egyptian Star Faten Hamama.

The film recounts a family rivalry in the Egyptian countryside through a love story between its two leads.

Considered to be Chahine’s first socially-conscious work, the film sheds the light on tensions between the aristocracy and the working class and highlights the fight against oppression.

The Emigrant (1995)

This movie portrays the epic biblical tale of Joseph, son of Jacob, from the Egyptian perspective.

Ram who plays the character of Joseph is an intellectual who dreams of leaving his family’s nomadic life behind to study agriculture in Egypt, the hub of civilization.

The Emigrant touched on Chahine’s concerns about contemporary Egyptian society.

The movie caused quite a stir upon its release and was banned twice by Egyptian authorities

The first ban was due to a lawsuit made by a fundamentalist lawyer. After a year-long court battle, Chahine won the case, only to have his film pulled again from the screens, because of a lawsuit initiated by a Christian lawyer, who condemned the liberal interpretations of the Biblical story.

The film was also deemed inappropriate for Jewish audiences because of Chahine’s reworking of a familiar Old Testament tale.

 

Read also: Netflix’s First Saudi thriller “Whispers” to Air in June

Arab Filmmakers Embrace Genre Films

On June 6, Netflix began streaming Tunisian cinema’s first horror movie, “Dachra.” The film’s move to Netflix follows a highly successful cinematic release in Tunisia where the movie smashed box-office records.  

Originally released in 2018, “Dachra” follows three journalism students seeking to unravel the 20-year mystery of a woman found partially mutilated and later committed to a psychiatric facility. As the students attempt to verify claims the woman is a witch, they are drawn into a reclusive community in the woods. 

The story mixes North African folklore, including the existence of Zouhri children whose blood is believed to release hidden treasures guarded by “djinns,” with heartstopping suspense and craftful filmmaking. It is the first feature film from actor, producer, and director Abdelhamid Bouchnak. 

Embracing genre to tell Arab stories 

“Dachra” is just one of a growing number of films from the MENA region to embrace the use of genre cinema, part of an emerging trend. 

Genre is a broad term that denotes films which utilize common themes or narratives such as thrillers, comedies, or science fiction. The term is increasingly used for fantasy and horror films as well. 

The growing recognition of, and interest in Arab genre cinema by international festivals and audiences alike is shattering stereotypes of what viewers can expect from Arab cinema. The use of genres by Arab filmmakers is not new, but has typically been overlooked by international audiences in the past. 

Foreign audiences have preferred Arab content in the form of social realism and hybrid documentaries. These productions, often rich in imagery of misery and destruction, promulgate the idea of a one-dimensional war-torn and problem-riddled Middle East. 

The use of genre in film, and in particular horror and fantasy, follow the trend of dystopian imagery that has emerged as a key component in contemporary Arab literature and art in the 21st century. With an increasing number of translations available, as well as original works in French and English, Arab authors have crafted a unique Arab dystopian genre. 

Constructed from Arab experiences, the genre deviates from its Western counterpart in a number of fundamental ways. Most notably, power structures used to repress find their basis in religion or bureaucracy rather than left or right political ideologies. 

Filmmakers also draw on local influences and histories when shaping characters and storylines in horror. In “Dachra,” Bouchnak invokes the practice of ritualistic sacrifice, as it is conceived in North Africa, to craft a story distinct from its Western counterparts.

Streaming increasing demand for Arab stories 

“Dachra” follows the move of the 2017 Tunisian film “La Belle et la Muete” (The Beauty and the Dog) onto Netflix, with the streaming platform continuing to increase engagement with content from the MENA region. 

Georges Schoucair of Abbout Productions in Lebanon credits the streaming giant with increasing demand for Arab genre content and “introducing audiences to non-English language films from the region.”

In May, Netflix announced an agreement with the Tunisian-Egyptian actress and producer Hend Sabry for an original Arabic-language series to be filmed in Egypt. The comedy-drama will be female-centred and is expected to be released in 2021. 

From June 11, the Saudi Arabian series “Whispers,” a dramatic-thriller, will be available to Netflix’s 183 million subscribers in 190 countries and 20 languages.